I don't often re-post, but I always have people who ask me if I quilt, so I thought I would re-share this post from 2012 featuring my one and only art quilt. As you may know, I've started another quilt, but I haven't been inspired to get back to it...it's takes a lot of strength to machine quilt, so I'm working on my push-ups for now.
Enjoy,
Laurel
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I had a whole list of things I was going to do when I retired:
travel, read, sew, make jewelry, paint, etc. Upon retirement, I
purchased two things that I had coveted for years - an 6'
ebony grand piano and a Viking sewing machine that all but talks back to
you. My goals were to take lessons on the piano and make an art quilt.
I had visited a fiber artist's studio loft downtown and was impressed
by the creative way she worked with patterns, textures and colors. Her
pieces were huge and in demand in commercial office spaces and hotels
all over the world. I wanted to try my hand at making a large "quilt",
as is my style - to jump in way over my head when trying something new.
My
hubby had planted sunflowers several years ago in our back yard, and
together with some heirloom tomatoes, I created the prettiest still life
on my kitchen counter one summer evening. I wanted to capture the
beauty so snapped a couple of pictures. Just for fun I started messing
with the image in Photoshop, blurring the background. I loved the result
and I decided that this photo would be the subject of my first art
quilt.
Hurdle No. 1) Create a pattern.
I
took the digital file of the photo and entered it into a cross stitch
pattern maker called PC Stitch. The computer program converts a photo
into a mass of tiny pixels and if you had every DMC floss color in the
world (which I do), it would take you a year to stitch it. So I
simplified the color palette and created white borders around the shapes
that I wanted to eventually convert into fabric. When I printed out the
pattern sheets for the whole picture, I had twenty-five 8 1/2" X 11"
pages.
Hurdle No. 2) Matching the pattern pieces
Because
I decided to do this quilt in squares (not sure that was the wisest of
decisions) the individual elements of the bouquet and background
overlapped into multiple squares. So each fabric piece, each petal,
each leaf had to be matched with it's adjoining sections. What a pain.
I
decided that I wasn't going to use the traditional applique technique,
but just pin the pieces on a white backing and use a machined blanket
stitch. That's actually a slight fib - I didn't know
how to do
the traditional applique techniques. But it all worked out. I started
on one row and quickly discovered that I probably should have gone left
to right and top to bottom. It was difficult and time consuming to
match the elements, especially with the detailed flowers. I changed
threads on each element to match each new color of fabric. Lot's of tag
ends to clip!!
Hurdle No. 3) Every quilt needs a back!
Choosing
the batting was easy. Since my squares were rather weighty and thick
in some areas, I wanted the batting to be light weight. Someone
recommended a natural cotton. The fabric for the back of the quilt was a
little harder to pick. I thought perhaps a batik with a pattern might
camouflage my irregular and erratic machine quilting. I used a multi
color cotton thread for the bobbin, so the stitching on back would be
somewhat uniform.
Hurdle No.4) The quilting
I
knew that someday I was going to have to face the actual quilting of my
project. My new Viking was capable of free motion quilting. but I had
never done it before. The Answer - take a class! I practiced and
practiced to get a good rhythm and learn how to work the fabric through
the feeder foot, but I was totally stymied by the many patterns within
the project. I wanted it to look like a painting with thread, but
didn't know how to get there. I had a friend who is an excellent
quilter come over and give me some ideas of stitching patterns, and
after quite some time (I must have just stared it for over a month), I
decided to dive in and just start sewing. The more I stitched, the
easier it became, and the farther I got, the more fun and intricate my
patterns became.
Almost one year from the start, I finished my quilt, and dubbed it California Harvest. It measures 38" X 48" and hangs in my dining room. I still enjoy looking at it.
It's been a couple of years since I completed California Harvest.
A quilting friend of mine sponsored my work in a regional quilt show,
and it was so gratifying to watch the seasoned quilters gaze and admire
it. It's not perfect by any real quilter's standards, but it was an
accomplishment for me just to actually finish it! Amazingly, I am just
about ready to try another one. I rather doubt I will use the same
technique - there's got be an easier way:)
Laurel
Happy quilting!
